Main Menu

Login




 


 Log in Problems?
 New User? Sign Up!

Online
There are 28 unlogged users and 0 registered users online.

You can log-in or register for a user account here.

Posted by : TimothyRamsden on Jul 01, 2015 - 12:41 PM Archive
London.

ALPHA BETA
by Ted Whitehead.

Finborough Theatre above The Finborough Arms 118 Finborough Road SW10 9ED To 18 July 2015.
Mon-Sat 7.30pm Mat Sat, Sun 3pm.
Runs 1hr 35min No interval.

TICKETS: 0844 847 1652.
www.finboroughtheatre.co.uk (no booking fee by íphone or online).
Review: Timothy Ramsden 28 June.

Portrait of a deadly marriage intriguingly viewed a generation or two on.


From 1962 to 1971, across three acts, Norma and Frank Elliot destroy each other through their marriage in a battle that heats-up from cold unease and whiplash wit as he approaches the age of thirty, to physical fury several years later, and a cold kind of truce once theyíve separated but he still wants a full divorce.

At first itís his birthday presents from the children he stamps on; later husband and wife go full pelt for each other. And given a stage using the whole Finborough floor, with a row of audience round the sides, the windows open to the street, itíll be no wonder if a spectator shares some sort of wound by the end of the run.

The production is complemented by the Finboroughís world premiere of Laura Jacqminís A Third, with its modern open relationship under pressure. Whiteheadís drama recalls how different matters were in the so-called progressive sixties, when staying together, if only for the children, was the default position for middle-class people, as these are. And northerners, though the performances in Purni Morellís London revival ignore the Liverpool setting.

Nor does the revival go for period detail with its CDs and 21st-century sound-system. Yet the modern elements fit an acting style thatís modern, metropolitan and 21st-century smooth. Itís the world on which the windows look-out if not the old industrial, closer-knit one from which the characters emerged. Irony has become the means of expressing anger - or a cooler, controlled form of irony.

August Strindberg, particularly The Dance of Death, is the model for this view of marriage. Strindberg sets-out three steps ahead, but as time passes, Whitehead catches up, fury destroying the room Mrs Elliot was decorating at the opening. Her moments of quiet withdrawal look forward to the last act of Alan Ayckbournís Just Between Ourselves.

Whatís important here is that the Finborough, Morell and actors Christian Roe and Tracy Ifeachor provide a reminder of Whiteheadís impassioned denunciation of a marriage, with concentrated venom that rings true in a relationship gone wrong, where both suffer intensely as they pull apart against institutional restraints.


Mr Elliot: Christian Roe.
Mrs Elliot: Tracy Ifeachor.

Director: Purni Morell.
Designer: Verity Quinn.
Lighting: Phil Bentley.
Fight director: Tim Klotz.
Assistant director: Anastasia Osei-Kuffour.
 
All logos and trademarks in this site are property of their respective owner. The comments are property of their posters, all the rest © 2004 by The Team.